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CURRENT, UPCOMING, AND RECENT EXHIBITIONS
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Astral Projection Vs. Rocaterrania
Gallery One • In-Person and Online 10 April - 7 June 2025Ricco/Maresca Gallery proudly presents Astral Projection Vs. Rocaterrania , a revelatory juxtaposition of the work of Grant Wallace (1868–1954) and Renaldo Kuhler (1931–2013). The exhibition title is a playful nod... -
Private: The Photographs of William Goldman
Gallery Two • In-Person and Online 10 April - 7 June 2025Behind closed doors in 1890s Pennsylvania, William I. “Billy” Goldman—respected Reading photographer, society man, and self-styled artist—trained his lens on a world no one was meant to see. The resulting... -
NADA NY
N.P. Viola's Newspaper Girls • In-person and Online 7 - 11 May 2025The Starrett-Lehigh Building 601 W 26th Street, 3rd Floor New York, NY 10001 (Enter on 11th Avenue) BOOTH C115 Ricco/Maresca is pleased to present a one-person booth featuring the vibrant... -
Independent Art Fair
The Geometry of Play: American Game Boards, 1890 - 1925 • In-person and Online 8 - 11 May 2025Spring Studios 50 Varick Street New York, NY 10013 Sixth Floor For the 2025 edition of the Independent Art Fair, we are proud to present an exceptional collection of vintage...
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FEATURED PRESS
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Brooklyn Rail | Following Franne Davids
November 1, 2024“Outsider” is a stubborn category. We cling to it the way we cling to the expression “avant garde.” Both are products of a way of thinking about art that sees... -
New York Times | Something for Everyone at The Art Show
October 30, 2024After being diagnosed with paranoid schizophrenia as a young woman, Franne Davids (1950-2022) spent the rest of her life at her parents’ house in Connecticut, using the basement as an... -
Artnet | Self-Taught Artists, Abstract Mosaics, and Fiber Works Enthrall at ADAA
October 31, 2024Perhaps the buzziest booth of the night was Ricco/Maresca’s solo presentation of Franne Davids. “We sent out a preview last week, and there was basically a frenzy. We actually had... -
Artforum | Franne Davids
February 1, 2025So-called outsider art is commonly valued for its idiosyncratic character and an originality of spirit—and therefore of form—unspoiled by convention. And yet, truth to tell, much of what is presented...
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