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WILLIAM HAWKINS: MAKING ITSELF

  • 13Apr

In 1982, Roger Ricco visited and filmed the painting studio of William Hawkins in Columbus, Ohio. William Hawkins was born in Kentucky on July 27,1895; his big block letter signature informs us of this in nearly all of his paintings. In 1916 he moved to Columbus, Ohio where he became an urban jack-of-all-trades, working relentlessly [...]

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Placed in Fluence

Tagged with Colombus, Fluence, Making Itself, Ohio, Outsider Art, Painting, Ricco Maresca Gallery, Roger Ricco, Vimeo, William Hawkins

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HENRY DARGER

  • 28Jan

Very few artists have done more to define and transcend the parameters of Outsider Art than Henry Darger. Admittance into important public and private collections paralleled by soaring market values, has made him one of the eminent American self-taught figures of the 20th century. Along with this recognition, a singular question has arisen amongst dealers and scholars: “What is the importance of Henry Darger?” Everyone has a different answer.

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Placed in Fluence

Tagged with Fluence Magazine, henry darger, Kristen Sancken, Landscapes, Outsider Art, Ricco Maresca Gallery

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REVISITING RAMÍREZ

  • 28Jan

Those are the questions that have long intrigued admirers of the skillfully composed, mixed-media works on paper of the Mexican-born self-taught artist, whose life story has become something of a legend in outsider art’s still-unfolding history, and who has earned a secure place in the field’s canon of most-remarkable talents. Indeed, those two questions lie at the heart of many an investigation of the life and accomplishments of any artist; as starting points for inquiries in the fields of art and cultural history, they might be posed like this: Who made this, and why?

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Placed in Fluence

Tagged with Edward M. Gómez, Fluence Magazine, martin ramirez, New York City, Outsider Art, Raw Vision Magazine, Ricco Maresca Gallery

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ALICE HOPE: OBJECTS OF CONSCIOUSNESS

  • 27Jan

A studio visit with New York-based artist Alice Hope may be one of the most consummate experiences one can have when exploring the inner workings of the contemporary art world. Upon entering, it is immediately apparent that any commonplace materials like paint and canvas do not exist in this space. Here it is metal that serves as the medium. Light peeks through perforated aluminum, suspended from a window

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Placed in Fluence

Tagged with Alice Hope, Fluence Magazine, Kristin Sancken, New York, Objects of Conciousness, Ozzie Hoppe, Ricco Maresca Gallery, Studio Visit

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RAW EROTICA: SEX, LUST & DESIRE IN OUTSIDER
ART

  • 26Jan

Why then in evoking your memory do I vibrate like a bell announcing the nuptials of angels? Slowly dying of an ineffable love inspired in me by your splendid gaze met by chance at the Potsdam encounter in 1913. You were sparkling from head to toe, deified by the sublime
beaming of your dear face.

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Placed in Fluence

Tagged with Aloïse Corbaz, Colin Rhodes, Elis Sinisto, Fluence Magazine, Hein Dingemans, Lust and Desire in Outsider Art, Ody Saban, Outsider Art, Paul Lancaster, Raw Erotica, Ricco Maresca Gallery, Roy Wenzel, Sex, Thornton Dial

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ISSUE 1: WILLIAM HAWKINS, HENRY DARGER, MARTIN RAMIREZ, ALICE HOPE, AND RAW EROTICA “fluence"

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