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William Hawkins:
TimeOut New York
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TimeOut New York – Feb 2010
What’s in a name? For William Hawkins, who invariably signed his work in bold letters, WILLIAM L. HAWKINS, BORN JULY 27TH 1895, it was at once a compositional device and an interface with the world…
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Alice Hope:
Hamptons Art Hub
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Hamptons Art Hub – March 2013
Don’t be surprised if you see a familiar face and artwork in the lobby of The Armory Modern at Pier 92. It’s likely that Alice Hope will be atop a short ladder creating the second of two new artworks…
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Rebecca Norris Webb:
Los Angeles Times
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Andy Adams is a Wisconsin-based independent Web producer and photo publisher whose work blends aspects of digital communication, online audience engagement and Web-based creative collaboration to explore…
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Bastienne Schmidt:
Art & Antiques
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Arts and Antiques – 2013
Of all the styles, theory-driven rallying cries, movements schools and creative curiosities that have played memorable parts in modern art’s evolution, few have been as durable …
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The Artists of Gugging:
The New Yorker
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The New Yorker – 2012
Gugging House is a psychiartic Institution north of Vienna, founded in 1981, whose patients are better known outside it’s walls as exhibiting artists. The works on paper here by nine current…
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Frank Maresca:
American Fine Art
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Dubuffet and the Art Brut: ARTnews
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ARTnews – April 2012
“This rich exhibition brought together drawings by Jean Dubuffet and Alfonso Ossorio with works by some of the isolated artists Dubuffet discovered after 1945…
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Martin Ramirez:
TimeOut New York
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TimeOut New York – 2012
The life of outsider artist Martín Ramírez (1895-1963) was characterized by disunion. In 1925, in debt and with a family to support, Ramirez traveled to California from his native Mexico…
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George Widener:
GEO Magazine
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Martin Ramirez:
Art in America
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Martín Ramírez:
Folk Art
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Justin Canha:
The New York Times
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George Widener:
Kohler Arts Center
PRESS - EDITORIAL
Kohler Arts Center – 2011
George Widener is an autistic savant with an incredibly retentive memory. He has said, “I wake up sometimes after having counted in my sleep. Widener channels his astonishing”…
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William Hawkins: Folk Art
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Frederick Sommer:
cityArts
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cityARTS – 2011
Where a thing is, is more important than what it is.’ This undated quote by the artist Frederick Sommer sums up neatly his lifelong aesthetic. A man of restless artistic…
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Hiroyuki Doi: Lindsay Pollock Art Market Views
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Lindsay Pollock – 2011
Japanese artist Hiroyuki Doi, 64, sporting Jackie O sunglasses and a mischievous smile, spoke this past Saturday afternoon about the death of his brother, the wonders…
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Tricia Cline:
Kohler Arts Center
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Kohler Arts Center – 2010
From time immemorial, animals have been part of the human story. In the most ancient art forms, we see evidence of the intertwined lives of people and animals…
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Gerald Slota / Neil LaBute:
The New York Observer
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New York Observer – 2010
Neil LaBute closed one show last week and opens another on Monday. But what’s particularly noteworthy for the 47-year-old playwright-director is that one of them was…
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Gerald Slota / Neil LaBute:
Aperture
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Frank Maresca:
New York Social Diary
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Frank Maresca:
Antiques and Fine Art
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Frank Maresca:
Architectural Digest
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Frank Maresca:
Pen magazine
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Frank Maresca:
Donna magazine
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Sip the Kool-Aid: ARTnews
PRESS - EDITORIAL
ARTnews – 2009
This was a tightly focused survey of works by five of the most emblematic artists of the self-taught or outsider-art field: James Castle, Thornton Dial, Martín Ramírez…
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George Widener:
Taz
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