APRIL 2019

Renaldo Kuhler: Rocaterrania

UPCOMING

“RENALDO KUHLER: ROCATERRANIA”

MAY 9 – JULY 3, 2019
OPENING RECEPTION: THURSDAY, MAY 9, 6 – 8 PM

Renaldo Kuhler (American, 1931-2013) was a visionary artist who worked in secret for sixty years, creating an imaginary country he named Rocaterrania—after Rockland County, New York, his childhood home. By day, Kuhler was employed as a scientific illustrator for the North Carolina Museum of Natural Sciences, where he created thousands of meticulous illustrations of myriad natural history specimens-reptiles, fish, turtles, and the like, as well as the flora of the region. Although Kuhler’s self-designed uniform (a green sleeveless jacket with tight-fitting shorts, knee-high white socks, and a neckerchief with a handmade slide) instantly signaled his unique character, family, friends, and coworkers had no idea of his prodigious private art work begun in the late 1940s, when he was a teenager.

[Rocaterrania will be Kuhler’s gallery debut]

 
 
 
 

Renaldo Kuhler video preview

 
 
 
The Secret World of Renaldo Kuhler
 
Rocaterrania - A Film by Brett Ingram
 
 
 

CLOSING SOON

 
 

Playing Games exhibition

 
 
 

George Widener - Playing Games exhibition

 
 
 

PRESS

 
 

The New York Times
“The groupings cross several cultures, starting with Americana, in a lively exhibition of mostly 19th-century paintings, objects and Gothic Revival furniture from the estate of the photographer Saul Leiter, followed by a more homogeneous sight: a row of six distinctive sculptural heads and busts from the dealer Frank Maresca.”
– Roberta Smith on A Specific Eye: Seven Collections recently on view at Demisch Danant.

 

 
 
 
 


“The exquisite Laura Craig McNellis retrospective, organized in collaboration with Ricco/Maresca Gallery, offers an intimate glimpse into what the artist deems significant; a plate of fish, a lemon slice, an olive jacket dotted with flowers. Pulling from three distinct bodies of McNellis’ work, Ode to Dolly spans decades of her artistic career, and underscores her reverence for everyday objects. Her quiet compositions reveal the holiness of a ham hock, the sleekness of a silverfish, the ordinary made extraordinary with each loving brush stroke.” – Sophia Cosmadopoulos on Ode to Dolly on view through April 20 at Shrine Gallery.

 

 
 
 
 

NEWS

 
 

RAWVISION logo

Raw Vision Magazine has announced the winner and finalists of their short film competition, sponsored by Ricco/Maresca Gallery:
1st – The Mysteries of Pebbles
By: Paolo Mucciarelli and Enrico Ranzanici
2nd – Great Gardens Laz Pozas 
By: Toby Amies
3rd – Antonio Roseno de Lima
By: Erika Manoni
Thank you to the judges: Frank Maresca, Jeffrey Wolf, Bruno Ducharme, and Javier Téllez [with help from James Brett]) who looked through 100 films before arriving at the finalists.

The Mysteries of Pebbles

 
 
 

Martin Ramirez

 

This coming May, Ricco/Maresca Gallery will participate at Frieze New York (5/2-5/5) in a collaborative booth curated by filmmaker and artist Javier Téllez. The presentation, to which we are contributing works by Martín Ramírez and Ken Grimes, will be titled The Doors of Perception and will investigate the visionary and mystic nature of Outsider art.

 
 
 

NOTEWORTHY

 
 
 
 

ARTIST UNKNOWN

 
 
Child's High Chair

Child’s High Chair. Found in California, ca. 1905-10. Wood, metal hardware, and bracing.
44 1/2″ x 19 1/2″ x 12 1/2.”

Assembled from milled lumber, arranged to create a lattice effect, and obsessively adorned with Arts and Crafts hardware.
[Click here to inquire]

 
 
 
 
fluence + logo
 
 
 
Domingo Guccione
 
 
 

DOMINGO GUCCIONE

Guccione (1898 – 1966) was born in Buenos Aires to Italian parents. He was a trained classical musician, working as a concert guitarist and instructor to many students, but was never exposed to visual art—and in fact suffered from color blindness. He drew mostly in private and claimed to be channeling a mysterious force that took a hold of him in bouts of creative energy—where his body and mind were not his own. Accordingly, Guccione could (or would) not explain his finished works and in turn ask viewers what they saw in them.  
LEARN MORE

November 13, 2020